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Sample Modeling出品长号音乐素材 Sample Modeling The Trombone KONTAKT [光盘镜像]

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    资源信息:



    中文名


    : Sample Modeling出品长号音乐素材


    英文名


    : Sample Modeling The Trombone KONTAKT


    资源格式


    : 光盘镜像


    素材分类


    : 音乐


    出品机构


    : Sample.Modeling


    发行时间


    : 2010年12月


    地区


    : 美国


    对白语言


    : 英语


    文字语言


    : 英文


    概述


    :



    资源简介 Sample Modeling出品的长号音乐素材. 官网链接:http://www.samplemodeling.com/en/products_trombone.php 就像小号一样. 长号是最通用的,动态的,灵活的和表现的乐器之一。具有广泛的音色范围. 在广大的音乐风格中长号是不可缺少的工具. Sample Modeling特此打造了优质的Trombone 音乐素材样本. Like the trumpet, the trombone is one of the most versatile, dynamic, flexible and expressive musical instruments. It covers an incredibly wide range of sounds and moods. Whether a classical sacred work, a military march or a powerful fanfare, a pop song or a huge orchestral arrangement - the trombone is an indispensable instrument in a vast majority of musical styles. However, it’s extremely difficult to emulate, even more than the trumpet, due to the presence of the slide - a true challenge for developers of virtual instruments. That’s why we chose it next. The Trombone family expands Samplemodeling™ technologies beyond the original limits. An entirely new class of Harmonic Alignment has been developed, allowing continuous transition across virtually infinite dynamics, at the same time perfectly preserving the peculiar, “spiky” waveform of this instrument. Multi-microphone anechoic recording, coupled to a specially devised “early reflections” impulse response, allowed to reproduce the full, rich timbre of the instrument including its radiation pattern, adding at same time a virtual space to the anechoic sound. The base material of the instruments (two Tenor, one Valve and one Bass Trombone) consists of 714 MB of samples, chromatically performed by a professional trombone player over a very wide dynamic range. All samples are unlooped, and have a minimum duration of 8 sec. As “The Trumpet”, the Trombone engine is structured according to an adaptive model, based on the performance “fingerprints” of the real instrument. The purpose of the model is to minimize the differences between the real phrases and those played by the virtual instrument. Proprietary modal resonance IRs, innovative techniques for sample modulation, and advanced AI midi processing are used for real time construction of all articulations and morphing across dynamics, vibrato, legato, portamento, trills, vibrato-like endings, shakes and so forth. Pseudo-random detuning, based on real performance-derived trends, is another outstanding new feature of The Trombone, adding further realism. A completely new chapter concerns the slide. The real trombone is one of the few wind instruments that can produce a true glissando up to six semitones. Though very difficult to obtain with a sample-based instrument, the effect of the slide has been perfectly reproduced in our virtual trombone by a novel application of the “Harmonic Alignment” technology. Ultra-realistic slide effects can be obtained by proper use of the pitchbend, but are also automatically activated by overlapped legato. As in the real instrument, a continuous glissando effect will be obtained if the portamento interval is within +/- 3 semitones. The Trombone is supplied with the NI Kontakt Player 4, the read-only version of Native Instruments latest flagship sampler. It involves many new features and bugfixes, including 64 bit, extended memory and multicore support, DFD optimisation, better compliance with some OS and hosts, aftertouch support etc. The Player is included as a separate installer, and no additional software is required to play the instrument. Stand-alone mode, as well as plugin formats VST, DXi, RTAS and AU are supported. The instruments can be also loaded and played in the full version of Kontakt 4. Please note, however, that they cannot be opened or modified, and no access to the samples, impulse responses or instrument programming is provided.



    代码 ÜÜÜÜÜ Ü²ßßÜ ÜÜÜÜÜ Þ²±°ÞÝ ²±°°°±² Þݰ±²Û ÜÜÜÛ²±°ßÜ Ü²ßßÛ Û²ßßÛ ÜÜÜ ÜÜ ß²±±±²ßÜÜÜ Û° °±Û Û²±°°°±° ßÜÜÜÜÜÜ Û²± °ßßßßÜ Û²° ÞÝܲ²±Û Û±±Ü ßßß Û²°ßÜ °ÜÜÜÜܲ±°Ü°ÞÝ ßÛÜܰ ܲ° ß²±ÞÝ Üßß° ±Û²±° ßÜÞÛ±°° Û²±°°Û° Þݰ±²Û²²Ü Û±° Þܲ±°°Ü²±°ÜÛÛÜß ÜÜÜÜß²Ý ÞÛÛܰ ±°ÞÝ Û²° ° ² ßÛ²° ÞÛ²±°°° ß²±°°ßÜ Üß° °±Û²±²Û Û± Þ²±°°Û²±ÜÛß ÜÜÜÜ ÛÛ²ÝÜß Þ²ßÛݰݰ ßܲ±° ±°Û Þ²±° Û²°±±°ÞÛÜ۰ܰ ß°Ü±Ý °Û±±²ÛÞ²° ܰ±° ÞÛ²°ßß±ÜÞ²ÛÛ Û²±ß Üß°Üß°±²Ü° °° ²°Û Þ²±°ÞÛ±°Û²±°Û²±°ÛÛÜÜÛß²Ý °Û°±²ÛÛ± Ûݰ ÞÛ²°ÜÜ °ß±²Û Û±° °ßßßß°°±²ßÛÛÜÜܰ° Û°Û Û±° Û²°ÞÛÛ²±ÞÛ±°Û ßßÜ ÛÝ °Û°°²Û²° ÞÛ²ÜÜÜÜÛßßßßÛÜ °±Û Û° °°°±±²²ÛÛÜÜܲÛÛß° Û°Û Þ²±°ÞÛ± ßßßß° ßß ßßß²Û ÛÝ °Û °±Û° Û ßßÛÛ²±°ÜÛÛÜßÝ °Û Û±°°±²ß °°°°°°°°° ܲ°Û Û²° Û²° ²ÛÛÛ²±±²ÛÛÛÛß ÛÝ ß °±Ü° ßßßß°±°ÞÛß ßÝÝ °Û Û²±±²Ý °°° ÜÜÜÜÜÜÜÜÛ²±°ÛÞ²±° Û±°ÞÝ Þ²±°±²Û ÛÛ° ßÜÜÜÜÜÜÜÜÜÜÜ °° ßÜÜ²ß °±Û ÞÛ²±±²Ü °° ÜÛ²±°°°°±±±±°°ÛÞ²±° ²±°ÞÝ Þ²±°°±Û ßÛÛÜÜÜÜÜÜÜÜÜܰ°±²Ûܰ° °±²Ý ßÛ²²±±±°°ÞÛ²±°Üßßßß²±°°ÜßÞ²±±° ß° ßß²Û±±° Þ²²ßßÜ ßßßßßßßßßßßÛܰ±²Ûݰ°°°°±±²ß ßÛ²²±±±°ßÛ²±Ý ßßßß Û²±±°°°°±²²Û±° ÞÛ²±±±²Ü ÞÛݱ²ß°°°±±²²ß ßßÛÛÛÛÛÛ²²Ü ß²²²±±²²ÛÛÛ° ÛÛÛ²²²²²Ü ÜÛß°±²ÛÛÛÛÛßß ßßßÛÛÛ²²Ü ÛÝ Ü² ÜÛÛÛÛÛÛÛßßß ²²²²ß Sample.Modeling.The.Trombone.KONTAKT-DYNAMiCS SUPPLiER..: Team DYNAMiCS DiSKS...: 57*15MB CRACKER...: n/a DATE....: Dec 2010 PACKAGER..: Team DYNAMiCS RELEASE#: DYNAMiCS-1488 PROTECTION: n/a FORMAT..: KONTAKT http://www.samplemodeling.com/en/products_trombone.php ܲÛÛÛ²ß ß²ÛÛÛ²Ü Ü²±±²²ß ß²²±±²Ü °ÜÜßßßßܲ±±²ß ÜÜÜÜ ° ° ÜÜÜÜ ß²±±²ÜßßßßÜܰ ÜÜßß °°±±±°°±²Ý Û±²²Ü °± ±° ܲ²±Û Þ²±°°±±±°° ßßÜÜ °°±²ßßßß²±°±²ÜÜÜß °±²²Ý ܲ²²ÜÝ Þܲ²²Ü Þ²²±° ßÜÜܲ±°±²ßßßß²±°° °°±²ÛÜÜÜ ß²±°°° ܲ±²²Ý ÜÜÜÜ ß °ß²±ßÜÜß±²ß ß ÜÜÜÜ Þ²²±²Ü °°°±²ß ÜÜÜÛ²±°° ±²ß °±²Ü ßßßßßß Û²²ÛÝ Þ±±°ßÜ Þ±°Þݰ±Ý Üß°±±Ý ÞÛ²²Û ßßßßßß Ü²±° ß²± ß Ü °°±Ü ßß²ßßßßÛÛ²ÜÜÛ²²Ý°ÞÝ Üß°ÜßßܰßÜ Þݰ޲²ÛÜܲÛÛßßßß²ßß Ü±°° Ü ß °ÜßßßÜ ß± °±Ü ÞݰÜÜ ßÛÛÛ²²ß ܲÜß°ÜßÝ ÞßܰßÜ²Ü ß²²ÛÛÛß ÜÜ ÞÝ Ü±° ±ß Üßßßܰ ß ÞÝ Þ²Ü °±ÜÜß ÞÝ ßÜ ßßß ßßß°Üß° °ßܰßßß ßßß Üß ÞÝ ßÜܱ° Ü²Ý ÞÝ ß Üß°Üß° ßÜ °°°°Üß °ßÜÜ °ÜßßÜ²Ý Þ²Üßßܰ ÜÜß° ßܰ°°° Üß °ßܰßÜ Ü±°Üß ßßßßß Üß°°Üß ß² ²ß ßܰ°ßÜ ßßßßß ßܰ±Ü Û²²ß Þ²°±ß ß±°²Ý ß²²Û ß²Ý ß²Ý - RELEASE NOTES - Þ²ß Þ²ß ß ß ß ß Like the trumpet, the trombone is one of the most versatile, dynamic, flexible and expressive musical instruments. It covers an incredibly wide range of sounds and moods. Whether a classical sacred work, a military march or a powerful fanfare, a pop song or a huge orches- tral arrangement - the trombone is an indispensable instrument in a vast majority of musical styles. However, it’s extremely difficult to emulate, even more than the trumpet, due to the presence of the slide - a true challenge for developers of virtual instruments. That’s why we chose it next. The Trombone family expands Samplemodeling™ technologies beyond the original limits. An entirely new class of Harmonic Alignment has been developed, allowing continuous transition across virtually infinite dynamics, at the same time perfectly preserving the peculiar, “spiky” waveform of this instrument. Multi-microphone anechoic recording, coupled to a specially devised “early reflections” impulse response, allowed to reproduce the full, rich timbre of the instrument including its radiation pattern, adding at same time a virtual space to the anechoic sound. The base material of the instruments (two Tenor, one Valve and one Bass Trombone) consists of 714 MB of samples, chromatically performed by a professional trombone player over a very wide dynamic range. All samples are unlooped, and have a minimum duration of 8 sec. As “The Trumpet”, the Trombone engine is structured according to an adaptive model, based on the performance “fingerprints” of the real instrument. The purpose of the model is to minimize the differences between the real phrases and those played by the virtual instrument. Proprietary modal resonance IRs, innovative techniques for sample modulation, and advanced AI midi processing are used for real time construction of all articulations and morphing across dynamics, vibrato, legato, portamento, trills, vibrato-like endings, shakes and so forth. Pseudo-random detuning, based on real performance-derived trends, is another outstanding new feature of The Trombone, adding further realism. A completely new chapter concerns the slide. The real trombone is one of the few wind instruments that can produce a true glissando up to six semitones. Though very difficult to obtain with a sample- based instrument, the effect of the slide has been perfectly reproduced in our virtual trombone by a novel application of the “Harmonic Alignment” technology. Ultra-realistic slide effects can be obtained by proper use of the pitchbend, but are also automati- cally activated by overlapped legato. As in the real instrument, a continuous glissando effect will be obtained if the portamento interval is within +/- 3 semitones. ܲÛÛÛ²ß ß²ÛÛÛ²Ü Ü²±±²²ß ß²²±±²Ü °ÜÜßßßßܲ±±²ß ÜÜÜÜ ° ° ÜÜÜÜ ß²±±²ÜßßßßÜܰ ÜÜßß °°±±±°°±²Ý Û±²²Ü °± ±° ܲ²±Û Þ²±°°±±±°° ßßÜÜ °°±²ßßßß²±°±²ÜÜÜß °±²²Ý ܲ²²ÜÝ Þܲ²²Ü Þ²²±° ßÜÜܲ±°±²ßßßß²±°° °°±²ÛÜÜÜ ß²±°°° ܲ±²²Ý ÜÜÜÜ ß °ß²±ßÜÜß±²ß ß ÜÜÜÜ Þ²²±²Ü °°°±²ß ÜÜÜÛ²±°° ±²ß °±²Ü ßßßßßß Û²²ÛÝ Þ±±°ßÜ Þ±°Þݰ±Ý Üß°±±Ý ÞÛ²²Û ßßßßßß Ü²±° ß²± ß Ü °°±Ü ßß²ßßßßÛÛ²ÜÜÛ²²Ý°ÞÝ Üß°ÜßßܰßÜ Þݰ޲²ÛÜܲÛÛßßßß²ßß Ü±°° Ü ß °ÜßßßÜ ß± °±Ü ÞݰÜÜ ßÛÛÛ²²ß ܲÜß°ÜßÝ ÞßܰßÜ²Ü ß²²ÛÛÛß ÜÜ ÞÝ Ü±° ±ß Üßßßܰ ß ÞÝ Þ²Ü °±ÜÜß ÞÝ ßÜ ßßß ßßß°Üß° °ßܰßßß ßßß Üß ÞÝ ßÜܱ° Ü²Ý ÞÝ ß Üß°Üß° ßÜ °°°°Üß °ßÜÜ °ÜßßÜ²Ý Þ²Üßßܰ ÜÜß° ßܰ°°° Üß °ßܰßÜ Ü±°Üß ßßßßß Üß°°Üß ß² ²ß ßܰ°ßÜ ßßßßß ßܰ±Ü Û²²ß Þ²°±ß ß±°²Ý ß²²Û ß²Ý ß²Ý - iNSTALL NOTES - Þ²ß Þ²ß ß ß ß ß 1. Unpack 2. Burn or Mount 3. Copy the library on your hard drive and import it in cracked Kontakt. SAMPLE MODELING - THE TROMBONE ****************************** 86901-58018-03037-81309-94530 Remember to BUY the stuff if you USE it. ܲÛÛÛ²ß ß²ÛÛÛ²Ü Ü²±±²²ß ß²²±±²Ü °ÜÜßßßßܲ±±²ß ÜÜÜÜ ° ° ÜÜÜÜ ß²±±²ÜßßßßÜܰ ÜÜßß °°±±±°°±²Ý Û±²²Ü °± ±° ܲ²±Û Þ²±°°±±±°° ßßÜÜ °°±²ßßßß²±°±²ÜÜÜß °±²²Ý ܲ²²ÜÝ Þܲ²²Ü Þ²²±° ßÜÜܲ±°±²ßßßß²±°° °°±²ÛÜÜÜ ß²±°°° ܲ±²²Ý ÜÜÜÜ ß °ß²±ßÜÜß±²ß ß ÜÜÜÜ Þ²²±²Ü °°°±²ß ÜÜÜÛ²±°° ±²ß °±²Ü ßßßßßß Û²²ÛÝ Þ±±°ßÜ Þ±°Þݰ±Ý Üß°±±Ý ÞÛ²²Û ßßßßßß Ü²±° ß²± ß Ü °°±Ü ßß²ßßßßÛÛ²ÜÜÛ²²Ý°ÞÝ Üß°ÜßßܰßÜ Þݰ޲²ÛÜܲÛÛßßßß²ßß Ü±°° Ü ß °ÜßßßÜ ß± °±Ü ÞݰÜÜ ßÛÛÛ²²ß ܲÜß°ÜßÝ ÞßܰßÜ²Ü ß²²ÛÛÛß ÜÜ ÞÝ Ü±° ±ß Üßßßܰ ß ÞÝ Þ²Ü °±ÜÜß ÞÝ ßÜ ßßß ßßß°Üß° °ßܰßßß ßßß Üß ÞÝ ßÜܱ° Ü²Ý ÞÝ ß Üß°Üß° ßÜ °°°°Üß °ßÜÜ °ÜßßÜ²Ý Þ²Üßßܰ ÜÜß° ßܰ°°° Üß °ßܰßÜ Ü±°Üß ßßßßß Üß°°Üß ß² ²ß ßܰ°ßÜ ßßßßß ßܰ±Ü Û²²ß Þ²°±ß ß±°²Ý ß²²Û ß²Ý ß²Ý - GREETS - Þ²ß Þ²ß ß ß ß ß We hate you all. ܲÛÛÛ²ß ß²ÛÛÛ²Ü Ü²±±²²ß ß²²±±²Ü °ÜÜßßßßܲ±±²ß ÜÜÜÜ ° ° ÜÜÜÜ ß²±±²ÜßßßßÜܰ ÜÜßß °°±±±°°±²Ý Û±²²Ü °± ±° ܲ²±Û Þ²±°°±±±°° ßßÜÜ °°±²ßßßß²±°±²ÜÜÜß °±²²Ý ܲ²²ÜÝ Þܲ²²Ü Þ²²±° ßÜÜܲ±°±²ßßßß²±°° °°±²ÛÜÜÜ ß²±°°° ܲ±²²Ý ÜÜÜÜ ß °ß²±ßÜÜß±²ß ß ÜÜÜÜ Þ²²±²Ü °°°±²ß ÜÜÜÛ²±°° ±²ß °±²Ü ßßßßßß Û²²ÛÝ Þ±±°ßÜ Þ±°Þݰ±Ý Üß°±±Ý ÞÛ²²Û ßßßßßß Ü²±° ß²± ß Ü °°±Ü ßß²ßßßßÛÛ²ÜÜÛ²²Ý°ÞÝ Üß°ÜßßܰßÜ Þݰ޲²ÛÜܲÛÛßßßß²ßß Ü±°° Ü ß °ÜßßßÜ ß± °±Ü ÞݰÜÜ ßÛÛÛ²²ß ܲÜß°ÜßÝ ÞßܰßÜ²Ü ß²²ÛÛÛß ÜÜ ÞÝ Ü±° ±ß Üßßßܰ ß ÞÝ Þ²Ü °±ÜÜß ÞÝ ßÜ ßßß ßßß°Üß° °ßܰßßß ßßß Üß ÞÝ ßÜܱ° Ü²Ý ÞÝ ß Üß°Üß° ßÜ °°°°Üß °ßÜÜ °ÜßßÜ²Ý Þ²Üßßܰ ÜÜß° ßܰ°°° Üß °ßܰßÜ Ü±°Üß ßßßßß Üß°°Üß ß² ²ß ßܰ°ßÜ ßßßßß ßܰ±Ü Û²²ß ÜÜÜþ ÜÜ ÜÜ ÜÜ Þ²°±ß ß±°²Ý ß²²Û ß²Ý Þ°Ý Þ °ÝÞÞÜÜÝÝ ß²Ý Þ²ß Þ²ß ß ßßßß ßß ßß ÝÝ ß ß



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