Viktoria Mullova -贝多芬 / 孟德尔颂：小提琴协奏曲 Beethoven / Mendelssohn: Violin Concerto [Bl

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资源信息： 专辑英文名: Beethoven / Mendelssohn: Violin Concerto 专辑中文名: 贝多芬 / 孟德尔颂：小提琴协奏曲 艺术家: Viktoria Mullova 古典类型: 协奏曲 资源格式: FLAC 版本: [Blu-ray 24bit/96KHz 2.0] 发行时间: 2009年 地区: 美国 概述:

专辑介绍: 贝多芬幼时即学习小提琴，在提琴音乐上亦如同钢琴曲般技艺精博。这首D大调小提琴协奏曲具宏伟的乐想，华丽的旋律，丰饶的情绪，堪称为傲视古今乐坛的旷世杰作。乐评家称此曲为小提琴协奏曲中的「英雄」。E小调小提琴协奏曲是孟德尔颂於1838年开始谱写 ，1844年完成，正是他创造力最丰盛的时候。曲调纤丽动人，被乐评人称为小提琴协奏曲的「美人」。穆洛娃精湛的演奏，将英雄与美人做最完美地结合。录音中所採取的古乐倾向演奏，也成为使用这种古乐风格探讨贝多芬和孟德尔颂协奏曲的第一份大师级演奏，具有非常重要的历史地位。 Featuring John Eliot Gardiner and his Orchestre Révolutionnaire et Romantique - and Presented in DTS-HD Master Audio 7.1 at a 24/96 kHz bit and sample rate, the sound on this disc is awe-inspiring. The 7.1 palette gives a recording engineer the opportunity to map acoustically the orchestra and hall with incredible detail, and this recording does just that. With soloist Viktoria Millova's violin dominating the center channel and the orchestra spread in a wide arc in the frontal soundstage, the sound stage is huge, laterally wide, with full height and deep depth. The balance between the soloist and the orchestra is spot on. Strings have a sweet airy high end delivered without harshness and fatigue. The lower strings have a woody full-bodied character that just blooms in the room without sounding bloated and loose. Woodwinds are expertly captured, and reveal a literal potpourri of tonal color and textures. The LFE is powerful, showcasing the tympani's powerful fundamentals. The surround channels are heavily used, rendering the halls open and highly reverberant quality with impeccable palpability. No audiophile would be disappointed with the sound quality of this release; the audio quality is first rate. Performers Viktoria Mullova (Violin) John Eliot Gardiner (Conductor) Orchestre Révolutionnaire et Romantique 孟德尔颂共写作了两首小提琴协奏曲，不过由於D小调的一首是他在少年时期的作品，乐曲成熟度自不及后来E小调，作品64的这一首。这首作品里富含的浪漫情怀及优美乐思，堪称是孟德尔颂所有作品中最登峰造极的。 此曲共分成三个乐章，虽然是不间断地演奏下去，但其实各乐章的曲思是独立的，这种手法在当时颇为罕见，我们因此可体会出孟氏要在传统的格局中另闢蹊径的努力。从1838年开始，孟氏就和莱比锡管弦乐团的指挥福德南˙大卫，一直交换关於小提琴独奏技巧方面的意见，花了六年时间才谱完全曲，可见态度之慎重。第一乐章小提琴率先奏出的主题，愉悦优美但是带著淡淡的哀愁，犹如早秋清晨的气息。第二乐章就如同盂氏的[无言歌]，是首抒情醇美的爱之歌，洋溢著梦幻般的情愫。第三乐章则华丽热情，小提琴展现了灿烂的独奏技巧，犹如歌颂生命的欢愉。 Once again award winning Alexander Jero and Surround Records has brought us a fine performance of two oft used violin concertos by Beethoven and Mendelssohn. This was Beethoven's only violin concerto, and was finished in 1806 and premiered on December 23, 1806. He wrote the work for friend and leading violinist of the day Franz Clement. It is one of the most popular violin concertos ever written, and its composition brought it closer to the symphonic genre - which gave the work a wider appeal for both musicians and listeners alike. It was believed that Beethoven finished the solo work so late, Clement had to sight read the piece during its opening performance. The premiere did not go so well, so Beethoven retooled the piece in a revised version of solo piano and orchestra which was later published as Opus 61a. For many years, it was not recognized for the beautiful work that it is, and was not played by violinist of the time. It took composer Felix Mendelssohn to re-introduce this work to the public in the mid 1800's, at it has been played by many violinists over the years. Felix Mendelssohn's concerto in E minor for violin and orchestra Opus 64 was completed in 1844, and had its first performance in March 13, 1845. The concertos premiere was a great success, and was played again the following year with great fanfare and accolades from listeners and musicians alike. Like Beethoven, Mendelssohn had a unique gift of melody. In listening to the opening phrases, I can see why he could not get this theme out of his head. I have heard this piece played several times, and the opening theme is something I can recognize with just a few notes played. Mendelssohn's concerto has influenced many a musician and composer of the years, and is widely regarded as the most "plagiarized" work of all time. This concerto has developed a reputation as an essential work to master by aspiring violinist, and usually is the first Romantic era pieces they learn. It is also the most widely played work for concerts and music competitions. Both musical pieces are broken into three movements. Each is scored for an orchestra of between 20-25 members depending on the size of the string section.

专辑曲目: Beethoven Violin Concerto in D major Op. 61 01. Allegro ma non troppo 02. Larghetto 03. Rondo F. Mendelssohn - Violin Concerto in E minor, Op.64 04. Allegro molto appassionato 05. Andante 06. Allegretto non troppo - Allegro molto vivace